Lean Team Pro Tips2018-08-22T22:46:32+00:00

Lean Team Pro Tips

Lean team filmmaking tips, sage wisdom, and the occasional withering critique of the documentary film industry,
all based on my book, Get Close: Lean Team Documentary Filmmaking.

Lean Team Pro Tip #1: Learn and practice, learn and practice

I shot my first film, 30 Frames A Second, in 5 days. I then spent a few more days writing a script, and edited the doc in 7 days (I’d rented an edit suite and could only afford a week’s worth of time). The movie probably cost me about $9,000 to make, and most of that was my own in-kind contribution of time and gear to the project. I never applied for funding, hired an executive producer, attended a pitch session, or got anywhere near a post-production suite. I then sent the film out to a few film festivals without [...]

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Lean Team Pro Tip #2: Eliminate Barriers, Get Close

It seems obvious, doesn’t it? Getting close in documentary filmmaking literally means putting your body and your camera as close to what you’re filming as possible. But it also means getting emotionally close to your subject matter, not just physically close. And it also means staying close to the vision you have for your film, not allowing marketing concerns or outside validators to interfere. In my book I write, “There is a kind of meditative awareness that takes over when I’m shooting close to my subjects, much like that of the skier or climber who focuses only on the physical [...]

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Lean Team Pro Tip #3: Visualize Your Film

First you'll visualize the kind of film you want to make, and then you'll be tempted to define it. Where does it fit within the myriad of sub-genres of the documentary form? There are environmental docs, investigative docs, celebrity docs, and social justice docs. There are docs about musicians, designers, and inventors. There are biographies and hagiographies. Docs about athletes and animals, money and mountain climbing. Concert docs, event docs, eco docs and hybrids.There are first-person films and films about politics. Observational ethnographies and observational anthropologies. Art films, experimental films, abstract and obtuse films. Many of these categories come with [...]

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