Streetwise
Streetwise Director/ Martin Bell Watched at Beacon Cinema (Seattle) Rating 5/5 Streetwise, a discreet classic of American documentary cinema, is a relentless portrait of clashing sensations: vulnerability and bravado, tenderness and confrontation, immaturity and mortality. It presents us with teenagers, some of them very young teenagers, playacting the roles of grownups in a drama of their own design. Yes, they are street kids, victims of abuse, neglect, alcoholism and the many other fucked up things unworthy parents do to their young, but they embrace their circumstances with theatrical gusto. They talk like world-weary drifters, ex-cons who’ve seen it all, smart-assed and streetwise; Oliver Twist ragamuffins as written by Charles Bukowski. But they aren’t written. And they’re not pretending. The dangers they face are real. And all are maybe a few months on from their first period or just a year out of junior high school. Some still go home (if you can call it that) now and then for a hot meal or some spare cash. They make for great characters because they practice all day long: For the meeting with the probation officer, the hassle with the cop, the panhandle with the tourist, or the filmmaker with the camera. When director Martin Bell and his wife, the magnificent photographer Mary Ellen Mark, returned to Seattle in 1983 to film the same homeless runaways she shot for an earlier Life magazine series, they were able to jump right into the action. Staking out street corners, railroad yards, ferry piers, alleys and abandoned buildings, they captured [...]